Born: April 7, 1883 in Cortona [Died] February 27, 1966. Italian painter in Paris. From 1900 to 1901, he studied under G. Balla in Rome with Boccioni. In 1906, he settled in Paris, and under the influence of Seurat, he turned to pointillism (→ pointillism technique). In 1909, he signed the "Futurist Manifesto." Around 1910, he began to be influenced by Cubism, and this became the basis of his work until around 1921, when he published his book "Du Cubisme au Classicisme" (From Cubism to Classicism). Around 1912, the dynamic expression of Futurism became prominent, and in 1914, abstract compositions first appeared. After producing frescoes near Florence in 1922, he became interested in murals and mosaics, and his style, influenced by Matisse, became more decorative. He won an award at the Rome Quadriennale in 1935 and at the Venice Biennale in 1950. In his later years, he turned to abstract painting. His major works include Dynamic Hieroglyphics of the Tabaran Dance (1912, Museum of Modern Art, New York). Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information |
[生]1883.4.7. コルトナ [没]1966.2.27. パリ イタリアの画家。 1900~01年ボッチョーニとともにローマの G.バルラのもとで学ぶ。 06年パリに定住,スーラの影響で点描主義 (→点描法 ) に向う。 09年「未来派宣言」に署名。 10年頃からキュビスムの影響が現れ,著書『キュビスムから古典主義まで』 Du Cubisme au Classicismeを出版した 21年頃まで作品の基調となる。 12年頃未来派の動的表現が顕著となり,14年初めて抽象的構成が現れる。 22年フィレンツェ近郊でフレスコ画を制作してから壁画,モザイクに興味を示し,作風もマチスの影響を受けて装飾的傾向が強まる。 35年ローマ・クアドリエンナーレで,50年ベネチア・ビエンナーレで受賞。晩年は抽象絵画に向った。主要作品『タバラン踊りのダイナミックな象形文字』 (1912,ニューヨーク近代美術館) など。 出典 ブリタニカ国際大百科事典 小項目事典ブリタニカ国際大百科事典 小項目事典について 情報 |
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