Rakugo performer. There have been six generations of Sanyutei Ensho, starting with the first (?-1838), who was nicknamed Ginjiro and later became the first Kingentei Basho, but the third is the most famous and is commonly referred to as the first. [Kazuo Sekiyama] 3rd generation(1849-1907) His real name was Takeuchi Kintaro. He was known as Shiusuzume under the second Gomeiro Tamasuke, but when he moved to the school of San'yutei Encho he took the name En'yu. He had a large nose and was famous for his suteteko dancing, hence he was known as "En'yu with his nose" and "En'yu in suteteko". He devoted himself to adapting rakugo, incorporating En'yu's style into stories such as "Nozarashi" and "Funatoku", establishing the form that exists today. [Kazuo Sekiyama] 4th generation(1867-1924) His real name was Yoshida Yoshinosuke. He was a disciple of the third generation. He took the names Kiyu, Yujaku, Saenyu, and Koenyu to become the fourth generation. [Kazuo Sekiyama] 5th generation(1878-1945) His real name was Kinzo Ito. He became a disciple of the third generation Koen'yu and took the stage names Kozo and Koden'yu, and later Sanpuku under the first San'yutei Yuza, and later Tsukinoya Enkyo under Sen'yutei Kinzo before assuming the stage name En'yu 5. [Kazuo Sekiyama] 6th generation(1902-84) His real name was Isamu Kato. He was a disciple of the 6th Kaminarimon Sukeroku, and was known as Otosuke and Okoshi. He became a Miyakoya Utaroku and turned to being a Hokan (a gagman), but returned and took the stage name of the 6th in 1946 (Showa 21) from Katsura Shinji. [Kazuo Sekiyama] 7th generation(1943-) His real name was Natori Mitsuzo. He was a disciple of the 6th generation and took the name of the 7th generation from Wakaen Yu in 1985. [Kazuo Sekiyama] Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
落語家。初代三遊亭円生(えんしょう)門で俗称銀治郎、のち初代金原亭馬生(きんげんていばしょう)となった初代(?―1838)から6代まであるが、3代がもっとも有名で、俗に彼を初代という。 [関山和夫] 3代(1849―1907)本名竹内金太郎。2代五明楼玉輔(ごめいろうたますけ)門で志う雀といったが、三遊亭円朝(えんちょう)門に移って円遊となる。鼻が大きく、ステテコ踊りで著名なため、「鼻の円遊」「ステテコの円遊」。落語の改作に意を注ぎ、『野ざらし』『船徳』などに円遊調を盛り込み、今日の形に定着させた。 [関山和夫] 4代(1867―1924)本名吉田由之助(よしのすけ)。3代門人。喜遊、遊雀(ゆうじゃく)、左円遊、小円遊から4代目襲名。 [関山和夫] 5代(1878―1945)本名伊藤金三(きんぞう)。3代門人小円遊に入門して小蔵(こぞう)、小伝遊、初代三遊亭遊三(ゆうざ)門で三福(さんぷく)、扇遊亭金三から月廼家円鏡(つきのやえんきょう)を経て5代円遊を襲名。 [関山和夫] 6代(1902―84)本名加藤勇。6代雷門助六(かみなりもんすけろく)門下で、音助、おこし。都家歌六となり幇間(ほうかん)に転じたが、復帰して桂伸治(かつらしんじ)から1946年(昭和21)6代目を襲名。 [関山和夫] 7代(1943― )本名名取光三。6代の弟子で、若円遊から1985年に7代目を襲名。 [関山和夫] 出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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