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Japanese: 京物 - きょうもの

A classification name for jiuta sokyoku. It means something that was created in Kyoto, and is a name used in Osaka to distinguish it, but in the Yamada school, it is incorrectly used to refer to all jiuta-introduced works, not just those created in Kyoto. In terms of date, it refers to works from the Bunka-Bunsei era onwards, composed by Matsuura Kengyo, Kikuoka Kengyo, Ishikawa Koto, and others, as well as those composed by Yaezaki Kengyo and others using a replacement-hand style koto. Pieces with relatively long instrumental interludes are called Kyoto-style tegotomono, and an ensemble style in which the jiuta sangen and koto are given equal weight was performed, and as a result, it became impossible to distinguish between jiuta and sokyoku.

Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information

Japanese:

地歌箏曲の分類名称。京都で作られたものの意で，大阪において区別のためにいわれる名称であるが，山田流においては，京都に限らず，地歌移入物を総称するのに誤用される。年代的には文化文政以後の作品で，松浦検校，菊岡検校，石川勾当らの作曲，および八重崎検校らによって替手式の箏が作曲されているものをいう。比較的長い器楽的間奏部をもつものは京風手事物といい，地歌三弦と箏との対等の比重の合奏形式が行われて，結果的には地歌と箏曲との区別ができなくなった。

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