Kyogen Furyu

...Especially after the Onin War, Noh plays such as "Hagoromo," "Funabenkei," and "Momijigari" were created with a focus on visual splendor, and today these are commonly referred to as "Furyu Noh." As the name suggests, "Kyogen Furyu," which is performed as an interlude in the Noh "Shiki Sanban" ("Okina"), was also influenced by the "Kakushi Furyu" hayashimono of the time and the "Hashimono" of Ennen Furyu. The people who supported Furyu dance in the late Muromachi period were the same as those who enjoyed Noh and Kyogen at the time, and Noh songs were adapted for the style of Furyu dance, and the "Iriha" (kiri) was often performed in the dance. ...

*Some of the terminology that refers to "Kyogen Furyu" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…とくに応仁の乱以後には《羽衣》《船弁慶》《紅葉狩》など，見た目の華やかさを主眼とした能が作られており，現在ではこれを〈風流能〉の名で呼びならわしている。また能の《式三番》(《翁》)に介入する形で演じられる〈狂言風流〉も，その名称からして当時の囃子物の仮装風流や，延年の風流の〈走物〉の影響を受けていることは明らかである。室町時代後期の風流踊を支えた層と，当時の能･狂言を享受した層とは共通で，風流踊の趣向には能の曲が転用され，その入破（いりは）(キリ)が踊りの中で演じられたことも多い。…

※「狂言風流」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報