...Two Western-style painters, Kawakami Togai and Takahashi Yuichi, were pioneers in this field. Both studied at the Edo shogunate's Kaiseisho (the successor to the Bansho Shirabesho), an institute for the study of Western painting that could be seen as the forerunner of art schools in the Meiji period. The earliest art school to emerge in the early Meiji period was Choka Dokkan, which Togai opened in 1869 (Meiji 2) at his home in Izumibashi, Shitaya, Tokyo, and had students such as Koyama Shotaro and Matsuoka Hisashi. From [Kawakami Fuyugai]…At the age of 17, he went to Edo and served Ueno Toei-in, but after meeting the Shijo school painter Onishi Chinen, he decided to become a painter. In 1851 (Kaei 4), he was adopted by the vassal Kawakami Sennosuke, and in 1856 (Ansei 3), he began working at the Bansho Shirabesho (Institute of Bansho), and when the Art Studies Bureau was established, he became its illustrator, and provided guidance to Takahashi Yuichi and other Western-style painting artists active in the early Meiji period. One of the works known from his time at the Art Studies Bureau was the illustrations for Lu Minson's Traveling Journal, translated by Yokoyama Yoshikiyo, which is said to be the beginning of Western-style illustrations. … *Some of the terminology explanations that refer to the "Gagakukyoku" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…川上冬崖,高橋由一の2人の洋画家はその先駆をなす。ともに幕府の開成所(蕃書調所の後身)画学局に学んだが,西洋画研究機関であったこの画学局は,明治期の画学校の前身ともみることができる。明治の初年に簇出(そうしゆつ)する画塾で最も早いのは,1869年(明治2)冬崖が東京の下谷和泉橋の自宅に開いた聴香読画館であり,小山正太郎,松岡寿らの門下があった。… 【川上冬崖】より…17歳で江戸に出て,上野東叡院に仕えるが,四条派の画家大西椿年に会い,画家を志す。1851年(嘉永4)御家人川上仙之助の養子となり,56年(安政3)蕃書調所に出仕し,画学局の設置とともにその絵図出役となり,高橋由一をはじめ明治初期に活躍する洋画関係者を指導する。画学局時代の仕事として知られているものに,横山由清訳《魯敏遜漂行紀略》の挿絵があり,これは洋風挿絵の嚆矢(こうし)とも言われている。… ※「画学局」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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