A term in epistemology. Just as in a painting, perspective places the landscape at the center of the artist, cognition is restricted by the position of the cognition subject, and a relativist position that holds that universally valid cognition is impossible. Representatives include Nietzsche, T. Litt, and Ortega y Gasset. Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information |
認識論の用語。絵画の遠近法では風景が画家を中心に配置されるように,認識は認識主体の立場によって制約され,普遍妥当的認識は不可能とする相対主義的立場。ニーチェ,T.リット,オルテガ・イ・ガセットなどに代表される。
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