…The popularity of magic plays, or Singspiel, centered in Vienna, can also be considered a precursor. Along the line of this fantasy drama, which runs from Mozart's The Magic Flute to Schubert's The Magic Harp (1820), Hoffmann's Undine (1816) and Weber's Der Freischütz (1821) were born. Weber also used the magic horn motif at the beginning of the overture to Oberon (1826), developing a romantic fairy-tale. … *Some of the terminology that refers to "Undine" (Hoffmann) is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…ウィーンを中心に,魔法劇のジングシュピールが流行したのも一つの先駆といえる。モーツァルトの《魔笛》からシューベルトの《魔法のハープ》(1820)へ向かうこの幻想劇の線に沿って,ホフマンの《ウンディーネ》(1816),ウェーバーの《魔弾の射手》(1821)が生まれる。ウェーバーはまた《オベロン》(1826)でも序曲冒頭に〈魔法のホルン〉のモティーフを使って,ロマン的妖精劇を展開した。… ※「《ウンディーネ》(ホフマン)」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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