...In such cases, the portrait is usually a 3/4 frontal portrait with both hands together, the right hand holding the brush becomes the left hand in the painting and is hidden behind the other hand, and the eyes are usually painted in later, looking directly at the self. If Jan van Eyck's Man in a Red Turban (1433) is a self-portrait, then the above style was created by Jan van Eyck in the Netherlands in the early 15th century. In contrast, in Renaissance Italy, the style in which the artist appears alone in the painting was common, and this is called a "self-portrait as assistant," but there are also few examples in which the model can be identified, and Gozzoli is famous for depicting himself wearing a hat with his name inscribed on it in his Adoration of the Wise Men (1458). ... *Some of the terminology that refers to "The Man in the Red Turban" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…その場合両手を添えて描いた3/4正面像となることが多く,筆をもつ右手が画中では左手となって他方の手のうしろに隠され,また眼は自身を正視する形で後から描き入れられるのが定石である。ヤン・ファン・エイクの《赤いターバンの男》(1433)がもし自画像であるとすれば,上記の型はヤン・ファン・エイクによって15世紀初頭にネーデルラントで創始されたことになる。これに対しルネサンス期のイタリアでは画家が画中の一人物として登場する型が多く,それを〈助手像としての自画像〉と呼ぶが,やはりモデルを確定しうる例は少なく,ゴッツォリが《三博士の参拝》(1458)中に名前を記した帽子をかぶる自身の姿を描いたのが有名である。… ※「《赤いターバンの男》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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