...It is noteworthy that writers in the post-colonial era are all suffering from deep frustration and self-alienation. Works such as Achebe's One of the People (1966), Ama's The Beauty Yet to Be Born (1968), Sembene's Hara (1970), Kofi Awoonor's (1935- ) This Land, My People (1971), Meja Mwangi's (1948- ) Down the River Road (1976), and Ngugi's Petals of Blood (1977) are only a few that illuminate the dark side of nation-building after independence. Auna, Soyinka, and Ngugi were forced to be imprisoned, while La Guma, Mazisi Kunene (1930- ), and Betty continue to live in exile abroad. The Biafran War also heavily shades the recent works of Ekwensi, Achebe, and Eddie Iroh. *Some of the terminology explanations that mention "Auna, K" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…そして,ポスト・コロニアル時代の作家が一様に深い挫折と自己疎外に陥っていることは注目すべき現状と言える。アチェベの《国民の中の一人》(1966),アーマの《美しき者いまだ生まれず》(1968),サンベーヌの《ハラ》(1970),アウナKofi Awoonor(1935‐ )の《この大地,わが同胞》(1971),ムワンギMeja Mwangi(1948‐ )の《リバー・ロードを下る》(1976),グギの《血の花弁》(1977)などは,独立以後の国家形成の暗部を照らす一部にすぎず,アウナ,ショインカ,グギらは投獄を余儀なくされ,ラ・グーマ,クネーネMazisi Kunene(1930‐ ),ベティらの国外亡命が続いている。またエクウェンシ,アチェベ,イローEddie Irohらの最近作にはビアフラ戦争の暗影が濃い。… ※「アウナ,K」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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