…In Vienna, a unique tradition was established after the establishment of the “Jung Wiener Theater zum Lieben Augustin” by Felix Salten (1869-1945) in 1901. In Berlin, Ernst von Wolzogen (1885-1934) created “Überbrettl” in the same year, and M. Reinhardt created “Schall und Rauch”, while in Munich “Eleven Executioners” was created, which became popular for a time as a new mode, but did not last long. However, Wedekind, who revitalized the tradition of German street song “Bänkelsang”, created the origin of German cabaret (Kabarett). … *Some of the terminology explanations that mention "Schall und Rauch" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…ウィーンでは1901年にザルテンFelix Salten(1869‐1945)によって〈ユング・ウィーナー・テアター・ツーム・リーベン・アウグスティン〉が作られてから,独自の伝統ができた。ベルリンには同じ年にウォルツォーゲンErnst von Wolzogen(1885‐1934)が〈ユーバーブレットル〉を,M.ラインハルトが〈シャル・ウント・ラウフSchall und Rauch〉を作り,ミュンヘンには〈11人の死刑執行人〉ができて,ニューモードとして一時流行したが長続きしなかった。ただドイツの大道演歌Bänkelsangの伝統を活性化したウェーデキントは,ドイツ的キャバレー(カバレットKabarett)の源流をつくりだした。… ※「Schall und Rauch」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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