Bateau Lavoir (English spelling)

Japanese: Bateau Lavoir（英語表記）BateauLavoir

…Critics such as Louis Vauxcelles denounced this trend as a tarnishment of the honorable traditions of European art, but Apollinaire and Salmon, successors of the Symbolist literary movement whose artistic goal was social reform, defended and supported it, and united it into a positive movement. Cubism consisted of the group of the Bateau lavoir, which included Picasso, Braque, and Gris, and the Puteaux group (so named because Villon's studio was in Puteaux, a western suburb of Paris), which was centered around the painter Jacques Villon (1875-1963, real name Gaston Duchamp). The former logically explored and deepened the aesthetic possibilities of this style, but was indifferent to movements such as mass demonstrations, while it was the latter that led the development of Cubism as a movement and gained many sympathizers both at home and abroad. …

From Picasso

... "Old Guitarist" 1903, Art Institute of Chicago, etc.). From 1904, he lived in the collective studio "Bateau Lavoir" in Montmartre. From this time, his paintings gradually became more gentle and rose-colored, and his subjects increasingly featured acrobats and traveling performers ("The Balloon" 1905, Pushkin Museum of Fine Arts, etc.) ...

*Some of the terminology that mentions "Bateau Lavoir" is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…ボークセルLouis Vauxcellesをはじめとする批評家たちはこの傾向をヨーロッパ美術の栄誉ある伝統を汚すものと非難したが，芸術運動の目的を社会改革におく象徴主義文学運動の後継者であるアポリネールやサルモンらがこれを弁護，支援し，積極的な運動に結束させた。キュビスムにはピカソ，ブラック，グリスらの〈洗濯船Bateau lavoir〉のグループと，画家ジャック･ビヨンJacques Villon(1875‐1963。本名Gaston Duchamp)を中心とする〈ピュトーPuteaux派〉(ビヨンの仕事場がパリ西郊のピュトーにあったため，こう呼ばれる)があり，前者がこの様式の美学的可能性を論理的に探究し深化させる一方，集団示威のような運動には無関心だったのに対し，運動としてのキュビスムの展開を担い，内外から多くの共鳴者を獲得したのは後者であった。…