German film. Directed by Robert Wiene. Produced in 1919. A masterpiece of expressionist film that actively adopted the expressionism that arose in Germany in the early 20th century. Consisting of anti-realist elements such as a composition strangely dominated by curves and diagonal lines, distorted perspective, fantastic lighting effects, and exaggerated acting, it is a groundbreaking work in the history of cinema, depicting an intensely subjective internal image of anxiety and chaos. The original authors, Karl Mayer and Hans Janowitz, intended to depict the brutality of the protagonist, Dr. Caligari, who manipulates the sleeping man Cesare to commit murders, and to denounce the state as a war lord. However, at the film stage, the story was changed to show that the whole thing was the delusion of a psychiatric hospital patient. Werner Krauss plays Dr. Caligari and Conrad Veidt plays the sleeping man. The film was released in Japan in 1921 (Taisho 10). Tokugawa Musei's excellent commentary from the time has become a talking point. [Ken Okumura] [Reference] |Source: Shogakukan Encyclopedia Nipponica About Encyclopedia Nipponica Information | Legend |
ドイツ映画。監督ロベルト・ウィーネ。1919年作品。20世紀初頭ドイツでおこった表現主義を積極的に摂取した表現主義映画の代表作。曲線や斜線が異様に支配する構図、ゆがめられた遠近法、幻想的な照明効果、誇張された演技などの反リアリズム的要素から成り立ち、不安と混沌(こんとん)の内的イメージを強烈に主観描写した映画史上画期的な作品である。 原作者カール・マイヤーとハンス・ヤノウィッツは、眠り男ツェザーレを操って殺人事件を引き起こしていく主人公カリガリ博士の狂暴性を描き、戦争遂行者である国家を告発しようとした。しかし、映画化の段階で、すべては精神科病院患者の妄想であったというように改められた。ウェルナー・クラウスがカリガリ博士、コンラート・ファイトが眠り男を演じている。1921年(大正10)日本公開。当時の徳川夢声の名解説が語りぐさになっている。 [奥村 賢] [参照項目] |出典 小学館 日本大百科全書(ニッポニカ)日本大百科全書(ニッポニカ)について 情報 | 凡例 |
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