For example, Van Gogh intentionally tried to use colors symbolically, and Seurat's pointillism and divisionism, which started from pure science, created a mysterious and mystical atmosphere, influencing the Belgian school of Les Bains and the Italian school of Segantini. In 1891, the French art critic Georges Albert Aurier (1865-92) was the first to use the word "symbolism" to describe painting, and his argument was based on Gauguin. Gauguin tried to practice symbolism through composition and color rather than subject matter, and together with Bernard Émile Bernard (1868-1941) and others, he founded cloisonnisme in Pont-Aven, Brittany (the Pont-Aven school). *Some of the terminology explanations that mention "Aurier, GA" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…たとえば,ゴッホは意図して色彩を象徴的に用いようとしたし,純粋科学から出発したスーラの点描,ディビジヨニスムもふしぎな神秘的雰囲気を醸し出すにいたり,ベルギーの〈レ・バン〉やイタリアのセガンティーニに影響を及ぼした。91年,フランスの美術批評家オーリエGeorges Albert Aurier(1865‐92)は,初めて絵画に対して〈象徴主義〉という言葉を用いたが,その主張の根拠になったのはゴーギャンであった。ゴーギャンは主題よりも画面構成や色彩によって象徴主義を実践しようとし,ベルナールÉmile Bernard(1868‐1941)らとブルターニュのポンタベンでクロアゾニスムcloisonnismeを創始した(ポンタベン派)。… ※「オーリエ,G.A.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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