...Seurat's "A Sunday Afternoon on the Island of La Grande Jatte" (1886) is a monumental work of Neo-Impressionism. However, he was not satisfied with this and resonated with the symbolist aesthetics of Charles Henry (1859-1926), who tried to relate the direction of lines on the painting to emotions - for example, a line going up to the right gives the viewer a sense of pleasure - and tried to perfect Neo-Impressionism by incorporating this into his actual work, but he died young. Signac, who succeeded him, compiled a theoretical book, "From Eugène Delacroix to Neo-Impressionism," in 1899, but the movement itself was already over. ... *Some of the terminology that mentions "Henri, C." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…スーラの《グランド・ジャット島の日曜日の午後》(1886)はこうした新印象主義の記念碑的な作品である。しかし,彼はこれにあきたらず,画面における線の方向と感情を関係づけようとするアンリCharles Henry(1859‐1926)の象徴主義的な美学――たとえば,右方向に上ってゆく線は見る者に快感を与える――に共鳴し,それを実制作に取り入れることで新印象主義をより完全なものにしようとしたが,早世した。あとを引き継いだシニャックは99年,理論書として《ウージェーヌ・ドラクロアから新印象主義まで》をまとめたが,この運動そのものはすでに終わっていた。… ※「アンリ,C.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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