...Historically, the arias were first performed in the form of stanzas, basso perseverans, and rondos, and in the 18th century the da capo aria (a large, technical aria with a repeated main section followed by a middle section) was established. In addition, various genres such as the aria cantabile, which is sung at a slow tempo and has a lot of depth, and the aria di bravura, which is sung at a fast tempo and uses the most technical techniques, were created according to the vocal expression and the type of technique used. In the 19th century, some, such as Wagner, rejected the aria because they disrupted the natural flow of the drama, but the aria continued to play an important role in Italian-style opera, and it is impossible to imagine a famous scene without an aria. *Some of the terminology explanations that mention "Aria Cantabile" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…歴史的に見ると,初期の有節形式のアリア,固執低音にもとづくアリア,ロンド形式のアリア等をへて,18世紀には声のソナタあるいはコンチェルトになぞらえられるダ・カーポ・アリア(中間部を挟んで主部が反復される大規模で技巧的なアリア)の形式が成立する。また声の表情や用いられる技巧の種類に従って,緩やかなテンポでたっぷりと歌うアリア・カンタービレ,急速なテンポで技巧の限りを尽くすアリア・ディ・ブラブーラなど,さまざまなジャンルが併立した。19世紀に入ると,ワーグナーのように,ドラマの自然な流れを損なうとの立場からアリアを排撃する者も現れたが,イタリア風のオペラでは引き続きアリアが重要な役割を占め,アリアなしの名場面は考えることができない。… ※「アリア・カンタービレ」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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