...The major playwrights of this movement can be broadly divided into two types: passionate geniuses and sentimental, emotionally unstable, as can be seen in the contrast between Klinger and J. Lenz. Representative plays that can be classified by their tendency include Goethe's Götz von Berlichingen (1773) and Klinger's The Twins (1776), which depict a "great man" who rejects all standards of life that stand in the way of the infinite realization of one's true nature; Schiller's The Rebellion at Fiesco (1783) and Plots and Love (1784), which sing of the revolutionary demand for universal human freedom; Johann Anton Leisewitz's (1752-1806) Julius in Tarent (1776) and Schiller's The Robbers (1781), which call for individual freedom within society; and Wagner's Heinrich Leopold, which appeals for justice for the socially oppressed. These works can be broadly divided into two categories: Wagner (1747-79)'s Infanticide (1776) and Lenz's The Soldiers (1776). The basic views on the nature of literature presented by these original geniuses were inherited by the classical works of Goethe and Schiller, and even Romantic literature, and were important statements that led to 20th century Expressionist literature. However, the protest and rebellion aspects of this movement against the established order ended up being a transitional phenomenon and rapidly declined. *Some of the terminology references "Leisewitz, JA" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…この運動の主要な劇作家は,クリンガーとJ.レンツの対比に見られるごとく,情熱的天才タイプと感傷的情緒不安定タイプに大別される。代表的戯曲を傾向別に挙げると,まず自己の本性の無限の実現を邪魔するいっさいの生活規範を否認する〈どえらい奴grosser Kerl〉を描くゲーテの《ゲッツ・フォン・ベルリヒンゲン》(1773),クリンガーの《双生児》(1776)など,次に普遍的人間的自由への革命的要請を歌いあげたシラーの《フィエスコの反乱》(1783),《たくらみと恋》(1784),第3に社会における個人の自由を求めたライゼウィッツJohann Anton Leisewitz(1752‐1806)の《ターレントのユーリウス》(1776),シラーの《群盗》(1781),そして社会的被抑圧者のための正義を訴えたワーグナーHeinrich Leopold Wagner(1747‐79)の《嬰児殺し》(1776),レンツの《軍人たち》(1776)に大別される。しかし,これらの独創的な天才たちが提示した文学の本質に関する基本的見解は,ゲーテやシラーの古典主義作品,さらにはロマン主義文学に受け継がれ,20世紀の表現主義文学にもつながる重要な発言であったが,この運動の持つ既成秩序に対する抗議,反抗といった側面は過渡期的現象に終わり,急速に衰退していった。… ※「Leisewitz,J.A.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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