Matham, J.

…However, H. Goltzius of Haarlem further increased the undulation and density of the lines in the Coltian style, and also widened the space between the lines. As a result, the engraved lines sometimes expressed the movement and interweaving of the burin's acrobatic curves themselves, rather than for the purpose of reproduction. This style was taken over by his pupils Jacob Matham (1571-1631), Jan Müller (c. 1570-c. 1625), PJ Saenredam, and others. Rubens also had a group of excellent printmakers reproduce his own works, which helped to form the classical technique of engraving and copperplate printing. …

*Some of the terminology that mentions "Matham, J." is listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

…しかし，ハールレムのH.ホルツィウスはコルト流の線のうねりや肥瘠をさらに大きくし，線と線の間隔も広げる。その結果，刻線は再現のためというよりビュランのアクロバティックな曲線そのものの動きや交錯のおもしろさを表現する場合があり，弟子のマタムJacob Matham(1571‐1631)，ミュレルJan Müller(1570ころ‐1625ころ)，P.J.サーンレダムらに引き継がれた。またルーベンスは優れた版画家群に自作を複製させ，彫刻銅版画の古典的技法形成に一役買った。…

※「Matham，J.」について言及している用語解説の一部を掲載しています。

出典｜株式会社平凡社世界大百科事典 第２版について | 情報