Mochalov, PS (English spelling) MochalovPS

Japanese: Mochalov，P.S.（英語表記）MochalovPS

… Griboyedov's Sorrows of Wit (1824-28), Pushkin's Boris Godunov (1825), Gogol's The Inspector General (1835-42), Lermontov's Masked Ball (1835), and other timeless masterpieces were written one after another. Although theatrical performance art in the modern sense had not yet been established at that time, great actors such as Pavel Stepanovich Mochalov (1800-48), who played the rare Hamlet, and Mikhail Semyonovich Shchepkin (1788-1863), who was a serf, were active, and Belinsky, Herzen, and others were active in theatrical criticism. In the second half of the 19th century, playwrights such as A.K. Tolstoy, A.N. Ostrovsky, Turgenev, Shchedrin, Sukhobo-Kobylin, L. Tolstoy, and others, as well as famous actors such as Nikolai Karpovich Sadovskii (1856-1933), Yermolova, and others, and critics such as Chernyshevsky and Dobrolyubov, continued the work of their predecessors and developed it further.

From [Russian Literature]

…
[Play]
Along with Italians, Russians are considered to be the people who are most capable of expressing emotion through gestures. When thinking of Russian theater, the first people to come to mind are actors such as Pavel Stepanovich Mochalov (1800-48), Shchepkin, and internationally renowned actors such as Yermolova, or directors such as Stanislavsky and Meyerhold. In short, it is the great actors and directors born of the Russian people, who are rich in dramatic expression, that have made Russian theater famous, not necessarily the plays that are the foundation of theater and its "literary part."

*Some of the terminology explanations that mention "Mochalov, PS" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…グリボエードフ《知恵の悲しみ》(1824‐28)，プーシキン《ボリス･ゴドゥノフ》(1825)，ゴーゴリ《検察官》(1835‐42)，レールモントフ《仮面舞踏会》(1835)その他不朽の名作が次々と書かれた。当時はまだ今日的意味での演出芸術は確立していなかったが，希代のハムレット役者モチャーロフPavel Stepanovich Mochalov(1800‐48)，農奴出身のシチェプキンMikhail Semyonovich Shchepkin(1788‐1863)その他の名優たちが活躍し，ベリンスキー，ゲルツェンらも演劇評論で健筆をふるった。19世紀後半の劇作家A.K.トルストイ，A.N.オストロフスキー，ツルゲーネフ，シチェドリン，スホボ･コブイリン，L.トルストイその他や，名優サドーフスキーNikolai Karpovich Sadovskii(1856‐1933)，エルモーロワその他，また評論家チェルヌイシェフスキー，ドブロリューボフらがこれら先輩たちの仕事を引き継ぎ，さらに発展させた。…

【ロシア文学】より

…
［戯曲］
　ロシア人はイタリア人と並んで最も身ぶりによる感情表現が豊かな民族とされている。ロシア演劇を考える時，すぐ思い浮かぶのはモチャーロフPavel Stepanovich Mochalov(1800‐48)，シチェプキン，それに国際的名声を得たエルモーロワのような俳優かスタニスラフスキーやメイエルホリドのような演出家である。ひとことでいってロシア演劇の名を高からしめたのは劇的表現力に富んだロシア民族の生んだ名優と名演出家であって，必ずしも演劇の基礎であり，〈文学的部分〉である戯曲ではない。…

※「Mochalov，P.S.」について言及している用語解説の一部を掲載しています。

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