...This consumer culture, based on the spirit of civic progress and the maturity of urban culture, caused a great sensation due to its modern sensibility and the freshness of its topical satire, and spread throughout Europe. In Vienna, a unique tradition was established after the establishment of the "Jung Wiener Theater zum Lieben Augustin" by Felix Salten (1869-1945) in 1901. In Berlin, Ernst von Wolzogen (1885-1934) created "Überbrettl" in the same year, and M. Reinhard created "Schall und Rauch," while in Munich "11 Executioners" was created, which became popular for a time as a new fashion, but did not last long. ... From [Children's Literature]...In the meantime, in 1896, H. Wolfgast proposed a new style of children's literature, which gave birth to P. Rosegger and others, and then poet W. Bonsels's "The Adventures of Maya the Bee" (1912) was published, and World War I began. With the publication of Austrian F. Salten's "Bambi" (1923) and E. Kästner's "Emil and the Detectives" (1928), it seemed as if a new frontier was opening up, but World War II put an end to this. However, there are a few excellent works by F. Wolf, E. Wiechert and others. ... *Some of the terminology that mentions "Salten, F." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…市民的進歩精神と都市文化の成熟を基盤とするこの消費文化は,モダンな感覚と時事的風刺の新鮮さによって大反響を呼び,ヨーロッパ中に広まった。ウィーンでは1901年にザルテンFelix Salten(1869‐1945)によって〈ユング・ウィーナー・テアター・ツーム・リーベン・アウグスティン〉が作られてから,独自の伝統ができた。ベルリンには同じ年にウォルツォーゲンErnst von Wolzogen(1885‐1934)が〈ユーバーブレットル〉を,M.ラインハルトが〈シャル・ウント・ラウフSchall und Rauch〉を作り,ミュンヘンには〈11人の死刑執行人〉ができて,ニューモードとして一時流行したが長続きしなかった。… 【児童文学】より…そのあいだに,1896年ウォルフガストH.Wolfgastが新しい児童文学を提唱して,ローゼッガーP.Roseggerなどを生み,やがて詩人W.ボンゼルスの《蜜蜂マーヤの冒険》(1912)が出て,第1次世界大戦にはいる。オーストリアのザルテンF.Saltenの《バンビ》(1923)とE.ケストナーの《エミールと探偵たち》(1928)が出ると,新生面がひらけるかにみえたが,第2次大戦でとざされてしまった。しかし,わずかではあるが,ウォルフF.Wolf,ウィーヘルトE.Wiechertらのすぐれた作品がある。… ※「Salten,F.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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