〘Noun〙 A technique of lacquer crafts in the Nara period, in which a pattern is drawn in lacquer, file powder is sprinkled on top, and then lacquer is applied and polished. It corresponds to the later Togidashi Makie. ※Shosoin documents - Tenpyo Shoho 8th year (756) Todaiji Temple offerings book, June 21st "One gilt bronze inlaid Chinese sword, blade length 2 shaku 6 sun 4 bu, <abbreviated> upper end of the sheath is made of gold" Source: The Selected Edition of the Japanese Language Dictionary About the Selected Edition of the Japanese Language Dictionary Information |
〘名〙 奈良時代の漆工芸の技法で、漆で文様を描いて鑢粉(やすりふん)を蒔き、その上に漆を塗って研ぎ出したもの。後の研出蒔絵に相当する。※正倉院文書‐天平勝宝八年(756)東大寺献物帳・六月二一日「金銅鈿荘唐大刀一口 刃長二尺六寸四分、〈略〉鞘上末金鏤作」
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