A theatrical theory proposed by German playwright B. Brecht. Brecht criticized the traditional Western theater since Aristotle and advocated narrative theater, using the alienation effect as a means to achieve this. For example, the audience is prevented from emotionally assimilating to the events on stage by visual means such as singing, dancing, placards, and images, or by actors stepping out of their roles to criticize them. The audience is expected to intellectually understand the stage, and this is further linked to the socialist ideas pursued by Brecht. This methodology has become known worldwide, along with the many masterpieces produced by the Berliner Ensemble, which Brecht led. Source: Encyclopaedia Britannica Concise Encyclopedia About Encyclopaedia Britannica Concise Encyclopedia Information |
ドイツの劇作家 B.ブレヒトが提唱した演劇理論。ブレヒトはアリストテレス以来の西洋の伝統的な演劇を批判して叙事演劇を提唱し,それを実現する手段として異化効果の方法を用いた。たとえば,歌や踊り,プラカード,映像などの視覚的な手段によって,あるいは俳優が役を離れてその批判を行うことなどによって,観客は舞台上の出来事に対して感情的に同化することが妨げられるというもの。観客は舞台に対し知的な理解をするよう求められ,さらにブレヒトの追求する社会主義的な思想と結びつけられていく。こうした方法論は,ブレヒトの主宰したベルリーナー・アンサンブルが生んだ多くの名作とともに,世界的に知られるようになった。
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