…In the early days, Pierre Beauchamp (1636-1705) was a full-time dance teacher and choreographer, making it the cradle of dance classics. Later, Louis Pécourt (1653-1729) and Louis Dupré (1697-1774) developed the technique and style of dance, but in the 1720s, female dancers Camargo and Marie Sallé (1707-56) competed for popularity with the male dancers who had dominated until then. The ballet reformer Nover worked at the Opera for a short time, but his reforms were continued by the Gardel brothers Maximilien Gardel (1741-87) and Pierre G. (1758-1840). … *Some of the terminology that mentions "Sallé, M." is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…その初期にボーシャンPierre Beauchamp(1636‐1705)が専任の舞踊教師および振付者として活躍し,ダンス・クラシックの揺籃の場とした。その後,ペクールLouis Pécourt(1653‐1729),さらにデュプレLouis Dupré(1697‐1774)らが舞踊の技術と様式を発展させてきたが,1720年代にはそれまで優位を占めてきた男性舞踊家に伍して,カマルゴおよびサレMarie Sallé(1707‐56)の女性舞踊手が人気を競った。バレエの改革者ノベールがオペラ座で働いた期間は短かったが,その改革はガルデル兄弟Maximilien Gardel(1741‐87),Pierre G.(1758‐1840)により引き継がれた。… ※「Sallé,M.」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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