...After World War II, Dubuffet produced his butterfly wing works, and in the 1950s assemblage appeared in many trends, including Neo-Dada, Nouveau Realism, and Pop Art. Junk art, which mainly uses waste from industrial products, is also an assemblage. Arman (1928-), Mimmo Rotella (1918-), Daniel Spoerri (1930-), Rauschenberg, Richard Peter Stankiewicz (1922-), Nevelson, and Edward Kienholz (1927-94) are representative artists who use assemblage as the core of their work. ... From Nevelson...Born in Kiev. A representative figure of American junk art, which became prominent in the late 1950s. She began woodcarving in the 1950s, but eventually began collecting scraps and fragments of various wooden products, such as furniture, and combining them to create works. *Some of the terminology that refers to "junk art" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…第2次大戦後,デュビュッフェの蝶の翅の作品があり,1950年代になるとネオ・ダダ,ヌーボー・レアリスム,ポップ・アートなど幾多の動向のなかに現れてくる。工業製品の廃品を主に用いるジャンク・アートjunk art(廃物芸術)もアッサンブラージュである。アルマンArman(1928‐ ),ロテラMimmo Rotella(1918‐ ),スペーリDaniel Spoerri(1930‐ ),ラウシェンバーグ,スタンキェビッチRichard Peter Stankiewicz(1922‐ ),ネベルソン,さらにキーンホルツEdward Kienholz(1927‐94)らが,アッサンブラージュを作品の中核とする代表的美術家である。… 【ネベルソン】より…キエフ生れ。1950年代後半から顕著になったアメリカのジャンク・アートjunk art(廃物芸術)の代表的存在。彼女は50年代になって木彫を始めたが,やがて家具など種々の木製品の廃材やその断片を集め,それらを組み合わせた作品を制作するようになった。… ※「junk art」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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