…After 66 he taught at the Seminario Romano, an educational institution for the Society of Jesus, and from 67 he also served Cardinal Ippolito d'Este II, a powerful patron of the arts. In 1571 he was invited by Pope Pius V to return to his position as conductor of the Julia Chapel, and in 1586 he was named Papal Chapel Composer. He continued to work for the Pope for the rest of his life. The legend that Palestrina composed the Mass of Pope Marcellus to prove the religious significance of polyphony when church music was criticized at the Council of Trent (1545-63) has now been denied. However, he remains a representative composer of the Counter-Reformation. … *Some of the terminology used in reference to "Pope Marcellus' Mass" is listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…66年以後イエズス会の教育機関であるセミナリオ・ロマーノで教鞭を執るかたわら,67年からは有力な芸術の保護者である枢機卿イッポリト・デステ2世にも仕えるようになったが,教皇ピウス5世の招きに応じて71年再びジュリア礼拝堂の楽長に復職し,86年教皇礼拝堂作曲家の称号を受け,以後終生教皇のもとで活躍を続けた。 トリエント公会議(1545‐63)において教会音楽のあり方が批判された際,パレストリーナが《教皇マルチェルスのミサ曲》を作曲してポリフォニーの宗教的有意義性を証明したという伝説は,今日では否定されるにいたった。しかし彼が反宗教改革運動における代表的作曲家となったことには変りはない。… ※「《教皇マルチェルスのミサ曲》」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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