Seasoning (Gagaku) ​​- Anbai

Japanese: 塩梅(雅楽) - あんばい
Seasoning (Gagaku) ​​- Anbai

…The "flute" includes the hichiriki, various types of flutes, and the sho. The hichiriki is the most important instrument used in the most types of music, and is characterized by a playing style that uses a lot of portamento called "enbai," and plays the melody that forms the backbone of the piece at a loud volume. Currently, three types of flutes are used: the ryuteki, the koma-buke, and the kagura-buke, and their detailed and decorative sound movements make a good pair with the hichiriki. …

From 【Gagaku】

…The "flute" includes the hichiriki, various types of flutes, and the sho. The hichiriki is the most important instrument used in the most types of music, and is characterized by a playing style that uses a lot of portamento called "enbai," and plays the melody that forms the backbone of the piece at a loud volume. Currently, three types of flutes are used: the ryuteki, the koma-buke, and the kagura-buke, and their detailed and decorative sound movements make a good pair with the hichiriki. …

From "Hichiriki/Kokuriki"

...The pitch of the hichiriki can change considerably, even with the same fingering, depending on how the mouthpiece is held and how the breath is blown into it. The technique of "enbai," which smooths out the progression of a melody by continuously changing the pitch, can be said to have been born from the characteristics of this instrument. It is loud, but rich in expression. ...

*Some of the terminology explanations that refer to "Shiobai (Gagaku)" are listed below.

Source | Heibonsha World Encyclopedia 2nd Edition | Information

Japanese:

…〈吹きもの〉には篳篥(ひちりき)と各種の笛,笙(しよう)がある。篳篥は最も多くの種目で用いられる重要な楽器で,〈塩梅(えんばい∥あんばい)〉というポルタメントの効いた奏法に特徴があり,大きな音量で曲の骨格となる旋律を奏する。笛は現在,竜笛(りゆうてき),高麗笛,神楽笛の3種が用いられており,細かく装飾的な音の動きは篳篥と好一対をなす。…

【雅楽】より

…〈吹きもの〉には篳篥(ひちりき)と各種の笛,笙(しよう)がある。篳篥は最も多くの種目で用いられる重要な楽器で,〈塩梅(えんばい∥あんばい)〉というポルタメントの効いた奏法に特徴があり,大きな音量で曲の骨格となる旋律を奏する。笛は現在,竜笛(りゆうてき),高麗笛,神楽笛の3種が用いられており,細かく装飾的な音の動きは篳篥と好一対をなす。…

【篳篥∥觱篥】より

…篳篥の音高は,一つの指づかいのままでも,芦舌のくわえ方や息の吹き入れ方によってかなり大幅に変化する。音高の連続的変化によって旋律進行を滑らかにする〈塩梅(えんばい)〉の手法は,こうした楽器の性格から生まれたといえる。音量は大きいが,表情に富む。…

※「塩梅(雅楽)」について言及している用語解説の一部を掲載しています。

出典|株式会社平凡社世界大百科事典 第2版について | 情報

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