...His only surviving documented work is John (1301-02) in the Pisa Cathedral sanctuary mosaic; all other works attributed to him are stylistic. His two Crucifixions (Arezzo and Florence) follow the iconographic style of the Agony of Christ established by Giunta Pisano (active in the first half of the 13th century), but the strong engraved contours, the delicate depiction of the draperies with gold highlights, and the sculptural fleshiness show the influence of Coppo di Marcovaldo. In his murals of the Virgin and Child on the Throne with Four Angels and Francis, and in his Madonna di Santa Trinita, he injects human life into the sacred figures and also shows a sense of three-dimensional space. ... *Some of the terminology explanations that mention "Pisano, Giunta" are listed below. Source | Heibonsha World Encyclopedia 2nd Edition | Information |
…記録によって確認される彼の現存作品は,ピサ大聖堂内陣モザイクのうちの《ヨハネ》(1301‐02)1点しかなく,その他の彼の作品とされるものは,すべて様式上からの帰属による。2点の《キリスト磔刑》(アレッツォ,フィレンツェ)は,図像的にジュンタ・ピサーノGiunta Pisano(13世紀前半に活躍)の確立した〈苦悩のキリスト〉を踏襲しているが,刻線的な強い輪郭線,金のハイライトを施した繊細な衣のひだの描写,彫刻的な肉付けは,コッポ・ディ・マルコバルドCoppo di Marcovaldoの影響を示している。また《玉座の聖母子と四天使およびフランチェスコ》の壁画や,《サンタ・トリニタの聖母》では,聖像に人間的生命を注入し,三次元的空間感覚をも見せている。… ※「Pisano,Giunta」について言及している用語解説の一部を掲載しています。 出典|株式会社平凡社世界大百科事典 第2版について | 情報 |
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